@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ The Moment [from US] [Import]
@
@ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ @ @ @ @ Kenny G @ Sax @
@ @ @ @ @ ƒPƒj[E‚f @ @ @
@ @ @ @ @ The Moment @ @ @ @ @ 1996BMG Victor[Japan] . ‘εΛ―Δ±ΩΚήΡ . 05W-Toni Braxton, 10M-Babyface . 13-BonusTrack @
@ @ @ @ @ ƒUEƒ‚[ƒƒ“ƒg @ (+1) @ (+1) @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BK100 @ BK95 @ K>KB74 @ KR80 @ KB77WwN @ BK77h @ BF74 @ RB95N @ BC69 @ BR77Mms @
@ @ @ @ @ BK85 @ KR77N @ BR85 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@   ShiftƒL[‚π‰Ÿ‚΅‚Θ‚ͺ‚ηŠeƒŠƒ“ƒN‚πƒNƒŠƒbƒN‚·‚ι‚ƐV‚½‚ΘƒEƒBƒ“ƒhƒE‚ΕŠJ‚«‚ά‚·‚̂ŁAƒuƒ‰ƒEƒU‚Μ–ί‚ιƒ{ƒ^ƒ“‚Ε–ί‚ι•K—v‚Ν‚Θ‚’‚Ε‚·B @ @
@    When Each Link Is Clicked While Pushing The Shift Key, It Opens In A New Window. @ @
@ @ @‹Θ’²‚π•\‚·‚T—v‘f@ 5 Elements of Melody @
@      F = Funky . R = Romantic . B = Ballad . C = Cool . K = Kanashii[”ί‚΅‚’] Sadness @
@       1”Τ‘ε‚«‚’—v‘f‚πζ‚ɁA‚Q”Τ–Ϊ‚Μ—v‘f‚πŒγ‚Ι‚΅‚ΔŠξ–{“I‚Ι‚Q•ΆŽš‚Ε‹Θƒ^ƒCƒv‚π•\‹L ( Ϊ‚΅‚­‚Ν•]‰Ώ‹L†‚Μΰ–Ύ‚πŒδ——‚­‚Ύ‚³‚’ j @
@      the biggest element of that song first and the second biggest element after @
@ @
@  —mŠyƒ|ƒbƒvƒX‚Μ‘εƒqƒbƒg‹Θ‚ΰ“―‚Ά•¨·‚΅‚Ε“_•t‚―‚΅‚Δ‚’‚ι‚½‚ί100“_‚β95“_‚Ν‚ί‚Α‚½‚Ι—L‚θ‚ά‚Ή‚ρ‚Μ‚ΕŒδ’ˆΣ‚­‚Ύ‚³‚’B85“_‚Ε‚ΰ[•ͺ‚Ι–Ό‹ΘƒŒƒxƒ‹‚Ε‚·B @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ A @ @ @ Above The Clouds @ Group @
@ @ @ @ @ @ @ @ @
@ @ @
@
@ Above The Clouds @ 1999C&P @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BC77 @ BF80f @ RF85 @ CF75d @ CB80fy @ KB77 @ BF75 @ BC74vs @ CB77ds @ KC69 @
@ @ @ @ @ B77f @ BC74 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Abraham Laboriel @ Bass @
@ @ @ @ @ ƒGƒCƒuƒ‰ƒnƒ€Eƒ‰ƒ{ƒŠƒGƒ‹ @ @ @
@ @ @ Dear Friends [FROM US] [IMPORT]
@
@ Dear Friends @ 1993Moo . Guest: Paul Jackson Jr, Steve Gadd, etc @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CB55f @ BK67Mm @ F95 @ CB61M @ CF59Y @ K63 @ CB61vt @ CF63f @ BK><B71f @ CK67m @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
@ Guidum @ 1995Integrity . 04Sax-Justo Almario @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ BC61 @ BF69 @ CB71dy @ BK85f @ CB61y @ BRMN>BF61m @ BC55f @ CF61 @ KN><CB59Y @ CF><KB65 @
@ @ @ @ @ KR>CB65 @ CF59Y @ RB74 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Acoustic Alchemy @ Group . Nick Webb(`1998) & Greg Carmichael @
@ @ @ @ @ ƒAƒR[ƒXƒeƒBƒbƒNEƒAƒ‹ƒPƒ~[ @ @ @
@ @ @
@
@ Red Dust & Spanish Lace @ 1987MCA/1996GRP . Jacket Design 2type @
@ @ @ @ @ ƒŒƒbƒhEƒ_ƒXƒg&ƒXƒpƒjƒbƒVƒ…EƒŒ[ƒX @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BC67f @ CB71dy @ B71 @ FB71 @ B74 @ K>KR69 @ FB75 @ BR74/ @ CR><CB65t @ 9>CB74fdY @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Natural Elements [FROM US] [IMPORT]
@
@ Natural Elements @ 1988MCA/1996GRP . Jacket Design 2type @
@ @ @ @ @ ƒiƒ`ƒ…ƒ‰ƒ‹EƒGƒŒƒƒ“ƒc @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ B74 @ CF74 @ IBR75 @ KB><KF71t @ BK><RF74 @ IKR75 @ BF74 @ KB75N @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Blue Chip [FROM US] [IMPORT]
@
@ Blue Chip @ 1989MCA/1996GRP . Jacket Design 2type @
@ @ @ @ @ ƒuƒ‹[Eƒ`ƒbƒv @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BF77 @ CB71y @ KB><BF74 @ KR75 @ CR><BF69'#' @ CK><FB74 @ IBN><BF69 @ FB><CB77 @ IK74 @ CK><BK71tS @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ @ @
@
@ Reference Point @ 1990GRP @
@ @ @ @ @ ƒŠƒtƒ@ƒŒƒ“ƒXEƒ|ƒCƒ“ƒg @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BC>BF><CB71 @ BK69 @ KC67S @ BF77><65 @ CB65f @ KR74 @ FB75>CB65#' @ BC74f @ IKR74N @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Back on the Case [FROM US] [IMPORT]
@
@ Back On The Case @ @ @ @ @ 1991GRP @
@ @ @ @ @ ƒoƒbƒNEƒIƒ“EƒUEƒP[ƒX @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ FB><BC71f @ BK><B67 @ B74 @ BK><BC85wf @ BK75 @ KB>BK74 @ in>BC74ft @ KR75 @ B75f @ BC75f @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
@
@ Early Alchemy @ (1982,1983,1990Recording)/1992GRP @
@ @ @ @ @ ƒA[ƒŠ[EƒAƒ‹ƒPƒ~[ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ in>CK74yt @ IBR75/ @ IBF74 @ ICB65f @ ICF>CK65t @ IB74/ @ IBC><BF69 @ BK>CK71y @ IBK67 @ IKC71t @
@ @ @ @ @ IBC63 @ ICK69 @ ICK69y>Yt @ IBR75/ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
@
@ The New Edge @ 1993GRP @
@ @ @ @ @ ƒUEƒjƒ…[EƒGƒbƒW @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ KB><B71 @ CB><FC63f @ B74 @ BF><CB>CF67m @ CK67yt @ KB>KF67h @ KC><CB67 @ B><BC75t @ BK>KF74 @ IKB>CK71ft @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
@
@ Against The Grain @ 1994GRP @
@ @ @ @ @ ƒAƒQƒCƒ“ƒXƒgEƒUEƒOƒŒƒCƒ“ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ in>CB71dyt @ CB><CK69yt @ BF>FB74b @ RK>RB77 @ FB75 @ C><CB74dy @ B74 @ IKR>BK69 @ KB71 @ KB>KC>CK69t @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Arcanum [FROM US] [IMPORT]
@
@ Arcanum @ 1996GRP . Ψ²ΈW @
@ @ @ @ @ ƒA[ƒPƒCƒiƒ€ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BF74f @ FB75>CB61ty @ IKR75h @ CB65t @ BF59 @ BF75><BC55 @ K>CK69tY @ BK75 @ CK65t @ BF71 @
@ @ @ @ @ KCt>FC65y @ K61hN @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
@
@ Positive Thinking @ 1998GRP @
@ @ @ @ @ ƒ|ƒWƒeƒBƒ”EƒVƒ“ƒLƒ“ƒO @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BC><BF67 @ KB67 @ KB><CK65t @ KB65f @ BR><KB65 @ CB61f @ BR69 @ in>KB><RC65f @ KB65N @ RB><CF65><59 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ @ @
@
@ The Beautiful Game @ 2000HigherOctave .Guitar-Miles Gildrdale, John Parsons, Bass-Frank Felix, etc @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ KF74 @ BC74 @ FC74 @ KB74f @ RK>KB74N @ BF75d#' @ CK><BK74dy~ @ FB>FC75d~ @ BF75 @ B74 @
@ @ @ @ @ FC><CF75y @ B74 @ 3rFC><BF74 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ AART [FROM US] [IMPORT]
@
@ @ Aart @ @ @ @ @ @ @ 2001HigherOctave .Guitar-Miles Gildrdale, Bass-Frank Felix, Keyboard-Anthony White, etc @
@ @ @ @ @ @ @ @ @     @ @ @ @ @ @ @ @ @
@ @ @ @ @ FB><CB80fd @ FB75 @ CF><CB74fd @ BC69f @ B75 @ BF75 @ CB75f @ BK75w @ K71mf @ K71 @
@ @ @ @ @ K71f @ RF>CB74 @ BK74N @ RB75 @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
@
@ The Very Best Of Acoustic Alchemy @ @ @ 2002GRP . Selection Album ( 1987-1994 ) @
@ @ @ @ @ ƒUEƒ”ƒFƒŠ[EƒxƒXƒgEƒIƒuEƒAƒR[ƒXƒeƒBƒbƒNEƒAƒ‹ƒPƒ~[ @ @ @
@ @ @ @ @ BC67f @ BF77 @ CK><FB74 @ BK><B67 @ KR74 @ BK><BC85wf @ CB><CK69yt @ B71 @ FB><BC71f @ C><CB74dy @
@ @ @ @ @ BF77><65 @ BF><CB>CF67m @ B74 @ CK74y @ BC>BF><CB71 @ CR><CB65t @ 16>CB74fdY @ @ @ @ @ @ @
@ @ @
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@ Radio Contact @ 2003HigherOctave .Guitar.etc-Miles Gildrdale, Bass.etc-Frank Felix, etc . Guest: Chuck Loeb @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ CB><BF71f @ BK69 @ BK><B69v @ FB75 @ B74f @ BK69Wv @ BK65 @ BF74 @ BR74 @ BC74m @
@ @ @ @ @ RK75 @ IKB71 @ CF69vy @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ American/English @ @ @ @ @ 2005EMI . 03-R&B Style Song[So Kylie] @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ B80fh @ BC><BF77vfd @ BC80wfd @ BK75 @ BF75f @ IKR75 @ BC75fd @ in>BK>KC77g @ BC75 @ FC80vd @
@ @ @ @ @ in>BC77m @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ This Way
@
@ This Way @ @ @ @ @ @ @ 2007BlueNote/NaradaJazz @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ B77 @ BC69mf @ B80 @ BF80f @ KC77 @ KR75 @ CB75y @ KC77f @ BK><KC74 @ CB74y @
@ @ @ @ @ BC71f @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
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@ @ @ @ @ Adam F @ Keyboard . Genre: Tecno @
@ @ @ @ @ @ @ @ @
@ @ @ Colours [FROM US] [IMPORT]
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@ Colours @ @ @ @ @ @ @ 1997EMI @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ DC61Y @ DC61Y @ DC61y @ DCF65M @ DC55my @ CR61m @ CK80Wd @ DCF75m @ CR>DC65y @ DCF63M @
@ @ @ @ @ DC65 @ CR>DC61y @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Adrian Conington @ @ @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ Sacred Roots @ @ @ @ @ 2005AdrianConington @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BK74 @ CK74f @ BR><BC80 @ C75dy @ KR77 @ CK80f @ BC74d @ CK75 @ C75fd @ BR80 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Afterlife @ [UK] . Genre: House, Tecno @
@ @ @ @ @ @ @ @ @
@ @ @ Afterlife
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@ Afterlife @ @ @ [Disc 1] @ @ @ 2002BrokenMusic @
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@ @ @ @ @ DCB77vf @ CK77Mfd @ DCB75M @ DC75vY @ DBC75m @ DCF75m @ HCR><DBC75v @ DCB77vy @ DCF75m @ DCB77vy @
@ @ @ @ @ @ @ @ @ [Disc 2] @ @ @ @ @
@ @ @ @ @ DC77vy>Y @ DC77vy @ DC75vy @ DC75vY @ DC75vy @ DC75vy @ DC75vy @ DC77vy @ @ @ @ @
@ @ @ @ @ Airborne @ Group @
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@ @ @ @ @ Heavy Vibes @ 2004Tilt @
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@ @ @ @ @ FB74v @ CB71Vvf @ CB67f @ B71Vwf @ CF74vf @ B71Wwf @ BR><FB74v @ BF74wf @ B75Wwf @ FB74 @
@ @ @ @ @ B69Vwf @ FB74 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Airto @ Percussion&Vocal @
@ @ @ @ @ ƒAƒCƒA[ƒgEƒ‚ƒŒƒCƒ‰ @ @ @
@ @ @ @ @ ƒ^ƒbƒ`ƒ“ƒOEƒ†[Eƒ^ƒbƒ`ƒ“ƒOEƒ~[ @ 1979WEA/1998WarnerJapan @
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@ @ @ @ @ BF69vf @ BF65w @ BC65Wwf @ BC51m @ CB51mfd @ BC51Mvf @ BC61 @ CB55mfd @ RB75w @ FC55da/ @
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@ @ @ @ @ AKA Project @ Group[UK] . Genre: Acid Jazz, House . Member: Richard Saudler, Richard Warget @
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@ @ @ The Adventures of FF-Man [from US] [Import]
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@ The Adventures of F-F Man @ @ @ 2000 Internal Bass . 06 ="Down to Bone"Style Song[Souled Down The East River] @
@ @ @ @ @ @ @ @ @     Jacket Design 2 Type @
@ @ @ @ @ in>CK><CB85dy @ C77fdy @ in >DBC77^ @ DBC77 @ BC74Md @ in>C77fd @ C75d @ BC77dy @ in>C75fd @ DCB77f @
@ @ @ @ @ CK77d @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Alan Hewitt @ @ @
@ @ @ @ @ @ @ @ @
@ @ @ Metropolis
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@ Metropolis @ @ @ @ @ @ @ 2006Twfi @
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@ @ @ @ @ in @ KC80f @ BC80 @ CK77 @ B80w @ CB77wf @ BC80f @ in @ CK80wd @ BK80w @
@ @ @ @ @ KC77 @ CB77fdy @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Alan Hewitt Project @ Keyboard / Drums . Genre: Smooth Jazz @
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@ Noche De Pasion @ @ @ @ @ 2004 215 Entertainment . Guest: Euge Groove(1), Michael Lington(3), Jonathan Butler(4) @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ Mindi Abair(5) @
@ @ @ @ @ KB74 @ CK75dy @ KR>B80w @ CK75md @ KC75d @ KR80w @ CB74dy @ BK80 @ KC77f @ CK75d @
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@ @ @ @ @ Albert Calvo @ Guitar @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ Second Thoughts @ @ @ @ @ 2004VintageMusic @
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@ @ @ @ @ BF80w @ BC75f @ BR80 @ BC74q @ BF>CB75 @ BR80w @ BC75 @ RF80w @ BF75f @ BC75 @
@ @ @ @ @ FC74dy @ 1rBF80w @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Pass It On @ @ @ @ @ @ @ 2004VintageMusic @
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@ @ @ @ @ BF80 @ FB80 @ BR80 @ RK77 @ in>FB80 @ BF75b @ BC75fd @ CK>BF75v @ RB><BF77fb @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ @ @ @ @ Alexander Zonjic @ Flutes @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ Neon @ 1991Reprise/Wea @
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@ @ @ @ @ CB67ys @ B67Mv @ B69 @ CB63y @ CF59y @ BR71vs @ B><BF74 @ BR67Mvs @ @ @ @ @
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@ Passion @ @ @ @ @ @ @ 1993WarnerBros/Wea @
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@ @ @ @ @ RF>BF80>Ww @ KB71 @ BR>RF75VV @ BC74fd @ BF71 @ BR75m @ K71N @ BF74 @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ ƒŠ[ƒ`EƒtƒH[EƒUEƒXƒJƒC
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@ @ Reach For The Sky @ 2001HeadsUP . GuestProducer: Kirk Whalum, Jeff Lorber @
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@ @ @ @ @ BR85N @ BR80Ws @ KC>B75s @ BK75s @ RF80ms @ IRF77vs @ BC74fs @ B77s @ B71S @ CB77fdxs @
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@ @ @ €•i‚̏ڍΧ
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@ Doin' the D @ @ @ @ @ 2009HeadsUp @
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@ @ @ @ @ BC77fdy @ BC75fd @ B80 @ BC75y @ BC77f @ KC75W @ CB75fdy @ BC75fd @ CK77d @ BC80 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Alex Bugnon @ Keyboard . Genre: Smooth Jazz @
@ @ @ @ @ @ @ http://www.alexbugnon.com/album/newalbum_page.htm @
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@ Love Season @ 1989Capitol @
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@ @ @ @ @ CB69vfdy @ B74ms @ CB71mfd @ BR75 @ in>BF75vs @ BF69fd @ CB><BF67fd @ CF65fdy @ @ @ @ @
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@ @ @ Head Over Heels [FROM US] [IMPORT]
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@ Head Over Heels @ 1990Orpheus/EMI . Guest: Keith Robinson, etc @
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@ @ @ @ @ BC74f @ KB><B71vs @ CB63y @ KR74 @ RC63/ @ C75dY @ RF75v @ BF74mfd @ C63dy @ CB57Ww @
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@ 107 Degrees In The Shade @ 1991Sony @
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@ @ @ @ @ BC69 @ BC67m @ BR75 @ RB74/ @ BC65m @ CB74fd @ KR74 @ B71WmS @ CB69fd @ end @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ This Time Around [FROM US] [IMPORT]
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@ This Time Around @ 1993Sony @
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@ @ @ @ @ CF63md @ FC69vs @ CK74f @ FC65Mv @ RB74h @ KC71m @ KR74 @ BC71Mv @ CF75md @ BK69vs @
@ @ @ @ @ CR61hN @ 1rCF63md @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @
Tales from the Bright Side [FROM US] [IMPORT]
Soul Purpose [FROM US] [IMPORT]
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@ @ Tales From The Bright Side @ 1995BMG @
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@ @ @ @ @ BC74f @ CK67 @ KC65v @ KR67 @ KR67N @ KB65 @ C67vdy @ KR67 @ BF74wf @ KB69N @
@ @ @ @ @ CB63y @ K61N @ end @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Soul Purpose @ @ @ @ @ 2001Narada @
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@ @ @ @ @ CB74v @ BC74d @ BC69d @ KC74 @ KB>BC80 @ KC><BC74 @ in(S) @ B74 @ CB>CF65y @ BF71vd @
@ @ @ @ @ BR75 @ CB71 @ BC71m @ JRB75S @ @ @ @ @ @ @ @ @ @ @ @ @
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@ As Promised @ @ @ @ @ 2000Narada . Jacket Design 2 Type . Guest: Lalah Hathaway(04w), Angie Stone(06W), etc @
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@ @ @ @ @ CB75d @ BC77f @ B>BF77mfs @ BC80wf @ KR>BR80 @ ~ >B77Ww @ C69dY @ CK74 @ BC74 @ RB77S @
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@ Southern Living @ 2003Narada @
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@ @ @ @ @ BC74 @ BF75 @ KB><BC74 @ KB74N @ BF75ws @ CB74 @ in @ KR77 @ in @ BK75v @
@ @ @ @ @ KR74vs @ BC77f @ BC67 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Free @ @ @ @ @ @ @ 2005Narada @
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@ @ @ @ @ CK80g @ BC77f @ BF>BC80 @ BK80 @ BC80f @ CK><BC75 @ FB80s @ KB><KC74N @ BC77 @ CK71d @
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@ @ @ @ @ Alex Cortiz @ Genre: Trance, House @
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@ Moodfood @ @ @ @ @ @ @ 2001MaxMusic @
@ @ @ @ @ @ @ @ @ @ @ (UK) @ @ @
@ @ @ @ @ in>DC74 @ DBC67~ @ DC67 @ DCR>BC65w^  @ DC71 @ DC65^ @ DCB74y @ in>DC><HRB71 @ DC74f @ in>DCK69 @
@ @ @ @ @ in>DKC65^ @ DCB><CR67 @ in>DC74 @ in>DCF67y @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Make Believe @ @ @ @ @ 2003Swirl @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ in>DC80 @ DBC77^ @ DKC><RC75^ @ DCB74 @ DCB71f @ DCK74^ @ DCR69^ @ DC77f @ DC75 @ DCK71^ @
@ @ @ @ @ DRK><KC75^ @ DC75/ @ in>DC74 @ DC77^ @ DBK><C74 @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Alfonzo Blackwell @ Sax @
@ @ @ @ @ ƒAƒ‹ƒtƒHƒ“ƒ]Eƒuƒ‰ƒbƒNƒEƒFƒ‹ @ @ @
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@ Let's Imagine @ 1995BMG @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BF98 @ CK65v @ RF75w @ KC80vfs @ CB74dY @ KR80 @ BR80m @ C65mdy @ KR80N @ @ @
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@ Alfonzo Blackwell @ @ @ @ @ 1996StreetLife/Warner @
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@ @ @ @ @ BK75 @ CB65y @ B65m @ BF63 @ B69Wwf @ BR71ws @ BF74fs @ KB69mNs @ CK67mdy @ BR69/ @
@ @ @ @ @ JCF61fYS @ CF><FC69w @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
Reflections [FROM US] [IMPORT]
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@ Body Of Soul @ 1998Warner/Elektra/Atlantic @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CK74vy @ BR77vf @ RF85 @ RF80v @ RF85 @ CB74dy @ BF80v @ KR80 @ B77s @ KC80 @
@ @ @ @ @ KR80s @ BR80W @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Reflections @ 2001Shanachie @
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@ @ @ @ @ CK77 @ BF74fS @ B75 @ BR80s @ BR77N @ BC80 @ RF75ms @ BR75Ww @ BC77f @ BR77 @
@ @ @ @ @ BR77 @ CK75v @ RF80 @ BK77 @ @ @ @ @ @ @ @ @ @ @ @ @
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@ @ Sax You Down @ [Disc 1] @ @ @ 2004Orpheus @
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@ @ @ @ @ CB74y @ BF75 @ CB75 @ BC74 @ B75 @ BC74y @ BF77v @ RF80 @ KR75 @ BF71Ww @
@ @ @ @ @ BR77 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ [Disc 2] @ @ @ 2004Orpheus @
@ @ @ @ @ CK69y @ CB65my @ B74 @ 3rCB74wdy @ 1rCB74wfdy @ 2rBF74wd @ 7rBF69md @ 10rBF71Ww @ @ @ @ @
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@ @ @ @ @ All For 7 @ @ @
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@ @ @ @ @ All For 7 @ @ @ @ @ @ @ 2004HipoHashMusic @
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@ @ @ @ @ RF80 @ CK69d @ KC74d @ in>BR80 @ B77 @ BC77 @ KC77d @ BC74 @ BR75 @ CB69f @
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@ @ @ @ @ Alphonse Mouzon @ @ @
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@ @ @ The Survivor [FROM US] [IMPORT]
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@ The Survivor @ 1992Tenacious @
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@ @ @ @ @ BF80 @ BF80f @ K65w @ F80y @ BF80 @ BK65 @ B69Mw @ KB65w @ BF74 @ BC61 @
@ @ @ @ @ RF74 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Love, Fantasy [FROM US] [IMPORT]
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@ Love Fantasy @ 1993Tenacious . Guest: Paul Jackson Jr, Brandon Fields, etc . Jacket Design 2 Type @
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@ @ @ @ @ FC65Y @ BC74y @ B75 @ CB65y @ CB63Wwf @ CB55wf @ CB65Wwd @ CB59 @ @ @ @ @
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@ @ @ Early Spring [FROM US] [IMPORT]
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@ Early Spring @ 1993Tenacious@. Guest: Ernie Watts, Ronnie Laws, Brandon Fields, etc @
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@ @ @ @ @ RF77 @ KB67 @ F85y @ KR74v @ CK65 @ FC75ys @ BF74v @ BR71 @ CB65 @ @ @
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@ @ On Top Of The World @ 1994Tenacious @
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@ @ @ @ @ CB63v @ CF65y @ BF75d @ BK95 @ CB74f @ BK74f @ BF75fd @ CF77d @ B75 @ B75 @
@ @ @ @ @ BF75fd @ B77 @ FB74y @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ As You Wish [Tenacious] [FROM US] [IMPORT]
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@ @ As You Wish @ 1995Tenacious @
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@ @ @ @ @ CB69y @ BC74 @ KR75 @ K65 @ BF75 @ B75 @ CF74 @ FB85 @ CF71 @ CF61 @
@ @ @ @ @ CF55 @ K65y @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ Distant Lover [FROM US] [IMPORT]
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@ @ Distant Lover @ 1996Tenacious @
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@ @ @ @ @ CF63Mvy @ CB67 @ CF63Mvy @ BC65 @ CF61m @ CF61Mmy @ FC63vy @ CF59Mm @ CB65 @ @ @
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@ @ @ @ @ The Sky Is The Limit @ 1996Tenacious @
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@ @ @ @ @ CB61f @ KR77 @ CF71wd @ BF80 @ CB75 @ CB61f @ BF75 @ CF61Y @ CB55y @ BC55f @
@ @ @ @ @ FB75 @ BC61 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ The Night Is Still Young @ 1996Tenacious @
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@ @ @ @ @ JCB65y @ JCK65 @ JBR75 @ JCB63 @ JBF74 @ JCF63Y @ CB74 @ KB71 @ C65 @ C65 @
@ @ @ @ @ KC74 @ FB85 @ CB65m @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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