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@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ The Moment [from US] [Import]
@
@ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ @ @ @ @ Kenny G @ Sax @
@ @ @ @ @ ƒPƒj[E‚f @ @ @
@ @ @ @ @ The Moment @ @ @ @ @ 1996BMG Victor[Japan] . ‘εΛ―Δ±ΩΚήΡ . 05W-Toni Braxton, 10M-Babyface . 13-BonusTrack @
@ @ @ @ @ ƒUEƒ‚[ƒƒ“ƒg @ (+1) @ (+1) @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BK100 @ BK95 @ K>KB74 @ KR80 @ KB77WwN @ BK77h @ BF74 @ RB95N @ BC69 @ BR77Mms @
@ @ @ @ @ BK85 @ KR77N @ BR85 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@   ShiftƒL[‚π‰Ÿ‚΅‚Θ‚ͺ‚ηŠeƒŠƒ“ƒN‚πƒNƒŠƒbƒN‚·‚ι‚ƐV‚½‚ΘƒEƒBƒ“ƒhƒE‚ΕŠJ‚«‚ά‚·‚̂ŁAƒuƒ‰ƒEƒU‚Μ–ί‚ιƒ{ƒ^ƒ“‚Ε–ί‚ι•K—v‚Ν‚Θ‚’‚Ε‚·B @ @
@    When Each Link Is Clicked While Pushing The Shift Key, It Opens In A New Window. @ @
@ @ @‹Θ’²‚π•\‚·‚T—v‘f@ 5 Elements of Melody @
@      F = Funky . R = Romantic . B = Ballad . C = Cool . K = Kanashii[”ί‚΅‚’] Sadness @
@       1”Τ‘ε‚«‚’—v‘f‚πζ‚ɁA‚Q”Τ–Ϊ‚Μ—v‘f‚πŒγ‚Ι‚΅‚ΔŠξ–{“I‚Ι‚Q•ΆŽš‚Ε‹Θƒ^ƒCƒv‚π•\‹L ( Ϊ‚΅‚­‚Ν•]‰Ώ‹L†‚Μΰ–Ύ‚πŒδ——‚­‚Ύ‚³‚’ j @
@      the biggest element of that song first and the second biggest element after @
@ @
@  —mŠyƒ|ƒbƒvƒX‚Μ‘εƒqƒbƒg‹Θ‚ΰ“―‚Ά•¨·‚΅‚Ε“_•t‚―‚΅‚Δ‚’‚ι‚½‚ί100“_‚β95“_‚Ν‚ί‚Α‚½‚Ι—L‚θ‚ά‚Ή‚ρ‚Μ‚ΕŒδ’ˆΣ‚­‚Ύ‚³‚’B85“_‚Ε‚ΰ[•ͺ‚Ι–Ό‹ΘƒŒƒxƒ‹‚Ε‚·B @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ N @ @ @ Nagano Kitchen @ [Japan] . Genre: Tecno @
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@ @ @ Nagano Kitchen
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@ Nagano Kitchen @ @ @ @ @ 2007AptInternational[Japan] @
@ @ @ @ @ @ @ @ @ @ @ @ @ D = Dance, Tecno @
@ @ @ @ @ DC77 @ DC75y @ DBC75 @ DC74 @ DC75! @ DC71! @ DC77y @ DC74y! @ DC74y @ DC74 @
@ @ @ @ @ DC75f @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Najee @ Sax @
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@ Najee's Theme @ 1986EMI/Toshiba-EMI[Japan] . Jacket Design 2 Type @
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@ @ @ @ @ BF65v @ BK65v @ BF67v @ BC71ms @ CF63Mvy @ BK65ws @ BC65w @ BK67v @ CK65w @ @ @
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@ Day By Day @ @ @ @ @ @ @ 1988/1996EMI  @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BF74wf @ KR80w @ B67Wm @ CB69vfd @ BR74m @ BR74ws @ BC69W @ CB63md @ CB65vdy @ CB63vdy @
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@ Tokyo Blue @ 1990/1996EMI  @
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@ @ @ @ @ CB71dy><M @ B75w @ CB69wd @ BR>B71Ww @ BR71~/ @ BC74fy @ B74Mmf @ CB71 @ B>BC69Mw @ CB69 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Just An Illusion @ 1992EMI @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BC75wd @ BK><B69v @ BK><B74Wm @ FB67m @ B67Mw @ B77f @ BC>BF69Mv @ CB65mdy @ RF75 @ BC69Mm @
@ @ @ @ @ CB63vd><y @ B77f @ KC69Ww @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Share My World @ 1994EMI @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ in>BC71my @ C75mfd @ K69 @ BF69my @ B65Ms @ BC71f @ in>CF65my @ BC71wf @ BF67 @ BR67/ @
@ @ @ @ @ B74vf @ 5rKR74vs>end @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Plays Songs From the Key of Life @ @ @ 1995EMI . A Tribute to Stevie Wonder @
@ @ @ @ @ ƒvƒŒƒCƒYEƒL[EƒIƒuEƒ‰ƒCƒt` @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ B74s @ BC67s/ @ IBR74hs @ CF65ys @ FB71s @ BC67fs @ B75s @ BK67s @ B74fs @ BF>CB67s @
@ @ @ @ @ B>BF65s @ in>BR67s @ CB69fys @ BR80bs @ KR75s/ @ B><BC74s @ CB74ys @ BF61>BR69s @ @ @ @ @
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@ The Best Of Najee @ @ @ @ @ 1998Capital/BlueNote @
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@ @ @ @ @ B77mf @ BK74wf @ BK74vs @ BC75 @ BC71ms @ BR80bs @ B75m @ KR80w @ BC74wf @ B71m><M @
@ @ @ @ @ B77f @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Love Songs @ 2000BlueNote @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ KR75s/ @ K69 @ BR74m @ KR74s @ B67Mw @ BK><B69v @ B74s @ B75w @ BR77f @ BR74ws @
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@ Morning Tenderness @ @ @ @ @ 1998Polygram/Verve @
@ @ @ @ @ ƒ‚[ƒjƒ“ƒOEƒeƒ“ƒ_ƒlƒX @ @ @
@ @ @ @ @ in>BR85mf @ B95w @ BC80mf @ BK85wfs @ B77vf @ CK80dy @ BR80 @ BR80Mvf @ B80 @ CB74y @
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@ Embrace @ @ @ @ @ @ @ 2003Warlock @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ BR85 @ CB71d @ KC69w @ CK71d @ KC77w @ KC74 @ BR80 @ BR75Mvfs @ in @ BF74y @
@ @ @ @ @ BC77hy @ B75 @ BC67t @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ €•i‚̏ڍΧ
@
@ My Point of View @ @ @ @ @ 2005HeadsUp . Will Downing (02)  @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CK77dy @ B80m @ BK80Mm @ BC80 @ KC77 @ BR85 @ CB85 @ BC75W @ BR85 @ BC74 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ Mind Over Matter
@
@ @ Mind Over Matter @ @ @ @ @ 2009HeadsUp @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ BC80 @ BF85 @ CB80d @ B85m @ BF80Mm @ in>KR85 @ BC80fd @ BF90 @ CK80fdy @ BK80M @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Nando Lauria @ Guitar @
@ @ @ @ @ @ @ @ @
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@ @ Points Of View @ 1994Narada . "( Pat Metheny + Toninho Horta ) / 2 "Style Music . Guest: Lyle Mays, etc @
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@ @ @ @ @ FB75mb @ BF75mf @ in>FC74mb @ RF74Ms @ B74mf @ BF74Mfb @ BF74m @ B74v @ FB74Mm @ FC><RF75m @
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@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ @ @ @ @ Nappo Berna @ @ @
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@ @ @ @ @ Love & Sax @ 1997Perleberg[Germany] . (Art Of Living) Series( = Genre: Healing & Instrumental ) @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ KR85 @ BR85 @ KR80 @ KB74 @ KB74N @ KB74N @ KR75N @ B77 @ KB75 @ KR77 @
@ @ @ @ @ KR80 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Nate Harasim @ Keyboard @
@ @ @ @ @ @ @ Web Site @ @ @ @ @ @ @ @ @ @ @
@ @ Love's Taken Over
@
@ @ Next in Line: Smooth Jazz at Its Finest! @ 2007NuGroove @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CB90dy @ KC80 @ CK85fd @ CK80f @ KC77 @ KC77 @ KC77 @ KC80 @ CK85dy @ CK80d @
@ @ @ @ @ KC80 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Love's Taken Over @ @ @ @ @ 2008NuGrooveMusic @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CB><BC85 @ BC85fs @ CB85 @ KR80 @ KB80 @ K77s @ CB85wfdy @ CB85d @ BF85 @ CB80fdy @
@ @ @ @ @ CK80dy @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Rush @ @ @ @ @ @ @ 2010Trippin'n'Rhythm . Guest: Sax-Darren Rahn, Vocal-Maxine Hardcastle(7) @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ CK85mfd @ KC85d @ CB85d @ CK80d @ CB80fdy @ CB85wfd^ @ KC80Wwd @ KC77q @ CB75fdy @ KC80 @
@ @ @ @ @ CK80fd @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Nate Wingfield @ @ @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ Rhythm Tree @ @ @ @ @ 2005NateWingfield @
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@ @ @ @ @ RF80b @ BC67 @ BC67f @ BR80 @ BF80 @ BC75f @ CB74 @ KC74 @ KB74 @ BC74f @
@ @ @ @ @ KR77h @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Natural High @ Group . Genre: Acid Jazz @
@ @ @ @ @ @ @ @ @
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@ Natural High Pacific @ @ @ @ @ 2001SoulstisLimited/HigherOctave . Acid Jazz @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ C85dy @ C80dy @ C85dy @ BC80fd @ C90dy @ C80fdy @ C77dy @ C80dy @ C85fdy @ C><CR90fd @
@ @ @ @ @ 1rC85dy @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ @ @ @ @ Nelson Rangell @ Sax / Flutes / Piccolo . Genre: Smooth Jazz @
@ @ @ @ @ ƒlƒ‹ƒ\ƒ“Eƒ‰ƒ“ƒWƒFƒ‹ @ @ @
@ @ @
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@ Playing For Keeps @ @ @ @ @ 1989GRP . Guest: Chuck Loeb (06Compose), Jay Rowe (08Compose) @
@ @ @ @ @ ƒvƒŒƒCƒ“ƒOEƒtƒH[EƒL[ƒvƒX @ @ @
@ @ @ @ @ FB75y @ BK69s @ BC71 @ B75 @ CB74 @ BF95f @ RF75v @ FB95 @ BK71 @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Nelson Rangell @ @ @ @ @ 1990GRP @
@ @ @ @ @ ƒlƒ‹ƒ\ƒ“Eƒ‰ƒ“ƒWƒFƒ‹ @ @ @
@ @ @ @ @ FB69a @ FB75s @ BC75 @ BR75S @ BC74f @ FB74y @ FC71vdY @ BF71f @ CF71fy @ BC74 @
@ @ @ @ @ BR80NS @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ In Every Moment @ @ @ @ @ 1992GRP . Guest: Chuck Loeb, Russ Freeman, Mark Portmann, Steve Reid, etc @
@ @ @ @ @ ƒCƒ“EƒGƒ”ƒŠEƒ‚[ƒƒ“ƒg @ @ @
@ @ @ @ @ FB74y @ CB69y @ B75Wvf @ BR80N @ CF69y @ FC71Y @ BF77f @ BC74fy @ CF><BK63y @ BF71y @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Truest Heart @ 1993GRP . Guest: Chuck Loeb, Mark Portmann, Steve Reid, Omar Hakim, etc @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ CF74fy @ CB75fy @ KB74ws @ FB75y @ FC75Y @ BC74y @ BK77 @ FB71y @ CB71y @ KR75N @
@ @ @ @ @ BF75wfy @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
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@ Yes, Then Yes @ 1994GRP . Guest: Chuck Loeb, etc @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ CB65y @ FB71 @ CB69y @ B67s @ CB65 @ CK69dY @ KB65 @ CF71f @ BF74 @ RF75 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
@
@ Destiny @ @ @ @ @ @ @ 1995GRP . Guest: Chuck Loeb, etc @
@ @ @ @ @ ƒfƒXƒeƒBƒj[ @ @ @
@ @ @ @ @ CK67Y @ KR75v @ CB>CF74fy @ KR75s @ BC69fy @ BC67 @ B75mf @ CB67w @ K67Ns @ FB85 @
@ @ @ @ @ FC74y @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
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@ Turning Night Into Day @ 1997GRP . Guest: Chuck Loeb, David Mann, Wolfgang Haffner, etc @
@ @ @ @ @ ƒ^[ƒjƒ“ƒOEƒiƒCƒgEƒCƒ“ƒgƒDEƒfƒB @ @ @
@ @ @ @ @ BC77 @ BC77fd @ B74 @ BF74w @ BR74 @ BK75 @ CB69 @ RB>BC75 @ KR75N @ BF74 @
@ @ @ @ @ CB71 @ BK>RF><KC67t @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ The Very Best of Nelson Rangell [Best of] [from US] [Import]
@
@ The Best Of Nelson Rangell @ @ @ 1998GRP . Selection Album @
@ @ @ @ @ ƒUEƒ”ƒFƒŠ[EƒxƒXƒgEƒIƒu @ @ @
@ @ @ @ @ BC77fd @ BR80 @ KR75v @ FB85 @ B75mf @ BF77f @ BR80N @ BK>RF><KC67t @ K71 @ BC74fy @
@ @ @ @ @ KR75s @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Always @ @ @ @ @ @ @ 1999Shanachie @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ CF75d @ CK74 @ KR75 @ CB75y @ RF80 @ BF85 @ KB77 @ FC77dy @ FB80wd @ BF75f @
@ @ @ @ @ BR75 @ BR75 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @
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@ @ Far Away Day @ @ @ @ @ 2000Shanachie . Guest: David Mann(01Compose), etc . "Good BGM Album" @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ B85f @ CF80f @ BF75vs @ RF80 @ CB77s @ BR77 @ BF80f @ KC77 @ BF77 @ RF77vf @
@ @ @ @ @ BC75f @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
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@ @ Look Again @ @ @ @ @ @ @ 2003 A440 Music . Guest: Will Downing(3), David Mann @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ BF><B80d @ BF80f @ B77mfs @ CB74wd @ BC><KC77fd @ BC69s @ BC><B77fd @ KB75v @ CK><KC75fd @ KB75 @
@ @ @ @ @ KB74 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
@
@ My American Songbook @ @ @ @ @ 2005Koch @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ in @ RF75s @ BR75fs @ FB75ys @ JFC74yS @ in @ B77fs @ IK74s @ in>IFC71hys @ BR75fhs @
@ @ @ @ @ B74fS @ in>B74f @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Soul to Souls [from US] [Import]
@
@ Soul to Souls @ @ @ @ @ 2006Koch @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CB75wf @ B77f @ RF77v @ in>CB75y @ B75 @ CB77 @ BC>CB75S @ CB77fdy @ RF75s @ FB75w @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Nestor Torres @ Flute @
@ @ @ @ @ @ @ @ @
@ @ Dance of the Phoenix [from US] [Import]
@
@ @ Dance Of The Phoenix @ 1991Polygram/Verve . Guest: Harvey Mason, Abraham Laboriel @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ CB61y @ B65 @ CK55 @ IKR65N @ IBC61t @ JFC69S @ FC59y @ BR75S @ CB65y @ IK63 @
@ @ @ @ @ CF63Y @ ICB59 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ New American Orchestra @ SF ‰f‰ζ "ƒuƒŒ[ƒhEƒ‰ƒ“ƒi[" ƒTƒEƒ“ƒhƒgƒ‰ƒbƒN @ ‰f‰ζ‚Μ‚ά‚ά‚Μ‰ΉŒΉ‚Ν1994”N‚ΜƒTƒ“ƒgƒ‰ @
@ @ @ @ @ @ @ SF Movie "Blade Runner" Soundtrack @ Original Sound Track (1994) @
@ @ @
@
@ Blade Runner : Orchestral Adaptation  [ Soundtrack ] @ 1982/1990Warner . Music Composed for The Motion Picture by Vangelis @
@ @ @ @ @ @ @ @ @  Sax-Tom Scott, Piano-Michael Lang, Richard Tee, Vocal-Johh Bahler, etc @
@ @ @ @ @ KR85h @ CR>RC><HRB77h @ BR77M~ @ IRK>KB80h @ CK75dyh @ KB80N @ HRB80hN @ 05rCK75dyh @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ New Cool Collective @ @ @
@ @ @ @ @ ƒjƒ…[EƒN[ƒ‹EƒRƒŒƒNƒeƒBƒ” @ @ @
@ @ @ Trippin' Feat. Tony Allen
 
@ Trippin' @ @ @ @ @ 2005DoxRecords/P-VineRecords[Japan] @
@ @ @ @ @ ƒgƒŠƒbƒsƒ“ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CB80Y @ CR><CK65 @ in>CB74mfdy @ BF74fy @ CB71MmdY @ in>CB67dy @ in>FC74mYY @ CB69>c. @ CB74YY @ @ @
@ @ @   @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ @ @ @ @ The New Mastersounds @ Genre: Jazz Funk @
@ @ @ @ @ ƒUEƒjƒ…[Eƒ}ƒXƒ^[ƒTƒEƒ“ƒY @ @ @
@ @ @ ƒPƒuEƒ_[ƒWEƒvƒŠƒ[ƒ“ƒc
@
@ Keb Darge Presents @ @ @ @ @ 2001CookerRecords/2008BluesInteractions/P-Vine[Japan] @
@ @ @ @ @ ƒPƒuEƒ_[ƒWEƒvƒŠƒ[ƒ“ƒc @ @ @ @ @ @ @
@ @ @ @ @ CB75dY @ CB65 @ CB74MY @ BC74Wdy @ BC71fdy @ CB71Mdy @ CF74dy @ CB74MdY @ BC74dy @ CB74dY @
@ @ @ @ @ CB71Mdy @ CB71fdYcs @ CB74dy @ CB74MdY @ CB71MdY @ @ @ @ @ @ @ @ @ @ @
@ @ @
ƒr[Eƒ†ƒAƒZƒ‹ƒt
@ Be Yourself @ @ @ @ @ 2003OneNoteRecords/2008BluesInteractions/P-Vine[Japan] @
@ @ @ @ ƒr[Eƒ†ƒAƒZƒ‹ƒt @ @ @ @ @ @ @
@ @ @ @ BC65d @ BF80W @ CB71d @ CB74fdy @ BC67fdy @ BC71dy/ @ CB75fdy @ BC71fd @ CB71dY @ BC65/ @
@ @ @ @ CB69dY @ CB71fdy @ KC69M @ CB71fdy @ 2rBF77Wd @ BC77q @ CB74dy @ @ @ @ @ @ @
@ @ @
Re: Mixed
Plug & Play
@
@ Re::Mixed @ @ @ @ @ 2007BluesInteractions/P-Vine[Japan] @
@ @ @ @ @ ƒŠ:ƒ~ƒbƒNƒXƒh @ @ @ @ @ @ @
@ @ @ @ @ rBC71M @ rC71dy @ rBC77Wwd @ rBC77wfd @ rCF69y @ rC75mfdy @ rC77mdy @ rBF80W @ rCF71dy @ rCB75fdy @
@ @ @ @ @ rBC71fdy @ rCB69fd @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Plug & Play @ @ @ @ @ 2008CookerRecords/BluesInteractions/P-Vine[Japan] @
@ @ @ @ @ ƒvƒ‰ƒO&ƒvƒŒƒC @ @ @ @ @ @ @
@ @ @ @ @ BC67fdy @ BC67Wdy @ CF74fd @ CF71Wmdy @ BC>CF71f @ CB71Mdy @ C71fdy @ CB71fdy @ BC69Wfd @ CF74fdy @
@ @ @ @ @ CB71Wdy @ C69dy @ CB67dy! @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Niacin @ Group @
@ @ @ @ @ ƒiƒCƒAƒVƒ“ @ @ @
@ @ @
@
@ Niacin @ @ @ @ @ @ @ 1997Stretch @
@ @ @ @ @ ƒrƒŠ[EƒV[ƒ“EƒvƒƒWƒFƒNƒg @ @ @ @ @ @ @
@ @ @ @ @ CF69Y @ CF65 @ CB61 @ B65 @ KR>CF65Y @ CB>CF61Y @ CF61Y @ CB55Y @ B74f @ CF>BC59 @
@ @ @ @ @ CF59y @ CK40 @ CF55 @ CF67 @ CB51/ @ @ @ @ @ @ @ @ @ @ @
@ @ High Bias [from US] [Import]
@
@ @ High Bias @ @ @ @ @ @ @ 1998Stretch . Guest: Chick Corea @
@ @ @ @ @ ƒnƒCEƒoƒCƒAƒX @ @ @ @ @ @ @ @ @
@ @ @ @ @ CF71y @ FC69ys @ CF71y @ CB65y @ CF65 @ BC65 @ CB63 @ B77 @ CF69y @ FC65y @
@ @ @ @ @ CF71 @ BC69 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ @ @ @ @ Nick Colionne @ Guitar / Programming / Vocal / etc @
@ @ @ @ @ @ @ @ @
@ @
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@ @ Just Come On In @ 2003ThreeKeys . Guest: Paul Jackson Jr, Ricky Peterson, Marcus Johnson, etc @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ BF77 @ CB74 @ CB71 @ CB69d @ CB69d @ B75Wv @ BC75 @ CB><B74 @ CB71f @ CB71 @
@ @ @ @ @ CB69 @ CK><B71S @ BC69w @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Keepin' It Cool [from US] [Import]
@
@ Keepin' It Cool @ @ @ @ @ 2006Narada @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CB75 @ KC75 @ CK77 @ BF80 @ KB75 @ BF75 @ BC74 @ B77 @ BF77 @ CB75 @
@ @ @ @ @ BC75 @ B74M @ CB80f @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Nick Plytas @ Keyboard @
@ @ @ @ @ ƒjƒbƒNEƒvƒŠƒ^ƒX @ @ @
@ @ @ @ @ ‚q‚‚’‚… @ @ @ @ @ @ @ 1989Sony @
@ @ @ @ @ ƒŒƒA @ @ @ @ @ @ @ @ @
@ @ @ @ @ CK74d @ DB74 @ DCK74 @ CF74dy @ RKN>CB71d @ CF69dy @ CF67dy @ CK61dys @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Nicola Conte @ @ @
@ @ @ @ @ ƒjƒRƒ‰EƒRƒ“ƒe @ @ @
@ @ @
@
@ Jet sounds @ @ @ @ @ 2000Edizioni @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CK74b @ BC75wfb @ in>DCB74wY @ BF77wfb @ BC75 @ FB77vb @ BC71f @ CB71d @ BC74wfb @ BC69wfb @
@ @ @ @ @ BC74fby @ CB75wfb @ JCB75 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Niels Lan Doky @  << Please Look [ Jazz ] Album  >> @
@ @ @ @ @ ƒj[ƒ‹ƒXEƒ‰ƒ“Eƒh[ƒL[ @ @
@ @ @ @ @ Doky Brothers @  << Please Look "D"  >> @
@ @ @ @ @ @ @ @
@ @ @ @ @ Nightbyrd @ @ @
@ @ @ @ @ @ @ @ @
@ @ Moonlight Serenade
@
@ @ Moonlight Serenade @ @ @ @ @ 2004Dreamwhisper @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ KC69t @ KF74 @ K71 @ KF74t @ KB74 @ KF74 @ KF74 @ BC74><Myt @ BK74 @ CK74yt @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Nightbyrd
@
@ Nightbyrd @ @ @ @ @ @ @ 2007GeminiSun @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ KB>KF71t @ BC71 @ KB><KF75 @ KF74t @ KB74t @ KC74t @ KB74 @ K69t @ BC71f @ BK71 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ @ @ @ @ Nils @ Keyboard @ @ @
@ @ @ @ @ @ @ @ @ @ @
@ @
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@ @ Blue Planet @ @ @ @ @ @ @ 1998 Ichiban International/Brajo @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ KC74 @ RF95 @ CF69v @ in @ BC71vs @ BF80vy @ KR80N @ B75W @ BC75vN @ B85f @
@ @ @ @ @ KC>BC65M @ BK77>end @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
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@ Pacific Coast Highway @ @ @ @ 2005Baja . Guest: Abraham Laboriel, Steve Reid @
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@ @ @ @ @ CK85d @ BC77vg @ KC77wd @ BR80 @ B77vs @ BC75w @ KC75w @ CK80d @ BC77wf @ in>CB><BC75mfd @
@ @ @ @ @ IBR80 @ BK><BC77 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @
Ready to Play
@ Ready to Play @ @ @ @ @ 2007Baja @
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@ @ @ @ CB77y @ BC75mf @ BC75 @ CB80 @ CK77 @ BF75s @ BC75 @ BF74ws @ CB75d @ KC75 @
@ @ @ @ CK77 @ KB77 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ Up Close and Personal
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@ Up Close and Personal @ @ @ @ @ 2009Baja @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ RF77v @ CK75d @ CB77mfdy @ KB77s @ B><BC77v @ CB74v @ B77 @ BF80 @ BF77 @ CB77m @
@ @ @ @ @ RF80v @ RC77 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Nils Gessinger @ Keyboard / Organ @
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@ @ @
@
@ Ducks 'N' Cookies @ @ @ @ @ 1995GRP @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ FC65Y @ CK65Mw @ B80 @ CF61MwY @ KB59 @ CK55fyt @ BK75 @ CF59MvY @ CK65 @ B65Wv @
@ @ @ @ @ CK65 @ CF61Mvfy @ BK><BC63q @ JBF65m @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Nils Petter Molvaer @ Trumpet / Keyboard / etc . ‘O‰qŒ|p“I. ‰ΉŠy«‚ͺ“d‰»Miles Davis, ‹ί“‘“™‘₯‚Ι‹ί‚’ @
@ @ @ @ @ ƒjƒ‹ƒXEƒyƒbƒ^[Eƒ‚ƒ‹ƒ”ƒFƒ‹ @ @ @
@ @ @
@
@ Khmer @ [ Disc 1 ] @ @ @ @ @ 1997ECM . 2 Disc @
@ @ @ @ @ ƒNƒ[ƒ‹ @ @ @ @ @ @ @ @ @
@ @ @ @ @ CR>C69 @ CR>CC74Y @ CC65y @ K69 @ KB>CK67 @ KK69N @ CC><CK63Y @ HCR61N @ @ @ @ @
@ @ @ @ @ @ @ [ Disc 2  Remix ] @ @ @ @ @
@ @ @ @ @ CR>C65Y @ CR>CC67d @ CRN>CC65dy @ KC69Nd @ @ @ @ @ @ @ @ @ @ @ @ @
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@
@ Solid Ether @ @ @ @ @ @ @ 2000ECM . ’‹I––‰ΉŠy‚Ζ‚’‚Α‚½Š΄‚Ά @
@ @ @ @ @ ƒ\ƒŠƒbƒhEƒG[ƒeƒ‹ @ @ @ @ @ @ @
@ @ @ @ @ CR>CC85Y @ CR><CC75 @ RK77N @ in @ K>CK74y @ KC>CC75y @ 2rCR><CC75y @ BK74 @ KC>CC74y @ end @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ 1 @ 2 @ 3 @ 4 @ 5 @ 6 @ 7 @ 8 @ 9 @ 10 @
@ @ @ @ @ 11 @ 12 @ 13 @ 14 @ 15 @ 16 @ 17 @ 18 @ 19 @ 20 @
@ @ @ @ @ Nite Flyte @ Group @
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@ @ 30,000 ft
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@ @ 30,000 ft @ @ @ @ @ @ @ 1997PassionJazz @
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@ @ @ @ @ CB75fd @ CB77d @ BC71fd @ CB80fd @ CK><RF77fd @ KC75fd @ CB77dy @ CB75fd @ CB74d @ CB77fdy @
@ @ @ @ @ 2rCB77d @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Ascension @ @ @ @ @ @ @ 1999Instinct . Jacket Design 2 Type( Instinct ‚ Passion Jazz ) @
@ @ @ @ @ @ @ @ @
@ @ @ @ @ C74d @ RF77 @ CB75fd @ CK80fd @ B75 @ CB75dy @ KC74d @ CK74d @ BC74 @ BF80 @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ Noel Pointer @ Violin @
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@
@ Phantazia @ 1977BlueNote(Capitol) . Producer: Dave Grusin & Larry Rosen,  Guest: Earl Klugh, Ralph MacDonald, etc @
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@ @ @ @ @ CB63y @ KB65 @ CB55fs @ BF>CF65y @ IKR75 @ BC>CB65y @ BF59s @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @